Ģż
Despite being known principally as a dancer, Tara Cheyenne Friedenbergās relationship to comedy is equally ingrained in her history and disposition.
āBecause Iām a physical person, I started dancing very young, in grade school,ā she recalls. āI couldnāt sit still, so the teacher thought I was learning-disabled. In order to navigate the situation, I would do comedy routines in the classroom. I would put my hairband over my eyes ā long before Geordi La Forge did it on Star Trek, I might add ā and thatās how I dealt with it.ā
Comedy and its role in our day-to-day struggle to ādeal withā the indignities of life is central to empty.swimming.pool, a collaborative performance Friedenberg developed in collaboration with Silvia Gribaudi, a fellow dancer from Turin, Italy. It makes its world premiere as part of the 2017 Chutzpah! Festival.
Friedenberg became aware of Gribaudi when they performed separately at a festival in Edinburgh. Watching the Italian dancer perform her acclaimed A Corpo Libero, in which she comically strips down to her undergarments and shakes her body fat to the soundtrack of a hyper-dramatic operatic aria, she immediately recognized a kindred spirit. The two have since worked together numerous times, including a residency at the Scotiabank Dance Centre.
In empty.swimming.pool, the duo seeks to navigate āthe role of comedy as a catalyst to questions of gender, culture, language and understandingā ā both a somewhat ambiguous mission and a tall order. āWhat kept coming up, that became the spine of the piece, is visibility and invisibility, being seen and not being seen,ā Friedenberg explains. āWeāre both women over 40, so that becomes, āWoah! Thatās a real thing!ā When I was young, I was like, āThatās not gonna happen.ā It totally was gonna happen. I have a child, so that also became a factor in how your identity is removed, culturally.
āSilviaās got a whole other experience in Italy: Catholicism and an older culture, a more misogynist and homophobic culture,ā she continues. āWeāre looking at them from our individual perspectives, but it keeps coming down to the two of us: how weāre communicating, and how weāre communicating with the audience, because we both use comedy as a great tool that opens the door to potentially difficult things.ā
Although empty.swimming.pool was still being rehearsed at the time of our conversation, Friedenberg is confident that the end result will connect with audiences in the spirit she and Gribaudi intend: food for thought, but also fodder for laughter. āComedy galvanizes people,ā she says. āWe might not all be on the same page politically, but we know we have to galvanize, because a divide-and-conquer thing is happening. Comedy is so potent that way, because we can laugh at ourselves, we can laugh at the situation, and we can laugh together.
āAs a woman, I have to laugh, otherwise Iām just gonna be so pissed off all the time,ā she adds, laughing. āIām not gonna be any fun!ā
empty.swimmimg.pool runs Feb. 16-18 at Scotiabank Dance Centre. Tickets and info:
