Âé¶čŽ«ĂœÓł»­

Skip to content
Join our Newsletter
  1. Home
  2. Entertainment News

'El Mal' from 'Emilia PĂ©rez' wins Oscar for best original song. 'The Brutalist' wins original score

French composer duo ClĂ©ment Ducol and Camille took home the original song award at the Oscars on Sunday for their track, “El Mal.” In January, “El Mal” earned the pair a Golden Globe in the same category.
Maria Sherman, The Associated Press
98d4054bb41d1f5134dc912e564dab6cea21d0f7801c61cfed6cfa0af3d6af07
Clement Ducol, from left, Camille, and Jacques Audiard, accept the award for best original song for "El Mal" from" Emilia Perez" during the Oscars on Sunday, March 2, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

French composer duo ClĂ©ment Ducol and Camille took home the original song award at for their track, “El Mal.”

In January, “El Mal” earned the pair in the same category.

The musical is a lot of things — a musical, a transgender parable, and frequently criticized for its

“We are so grateful,” Camille said in her acceptance speech. “We wrote ‘El Mal’ as a song to denounce corruption, and we hope it speaks to the role music and art can play and continue to play as a force of good and progress in the world.”

The award was presented by Mick Jagger. “I wasn’t the first choice,” he joked. “The producers really wanted Bob Dylan to do it.”

Ducol and Camille beat Diane Warren for “The Journey” from “The Six Triple Eight,” Elton John, Bernie Taupin, Brandi Carlile and Andrew Watt for “Never Too Late” from “Elton John: Never Too Late,” and Abraham Alexander, Brandon Marcel and Black Pumas’ Adrian Quesada for “Like A Bird” from “Sing Sing.”

They also beat themselves: Their composition “Mi Camino” from “Emilia PĂ©rez” was also up for the award.

The first-time Oscar nominees had a total of three nominations, including original score, at .

“You go from anxiety to relief, and you’re filled up with energy and you need that,” Camille in January, when nominations were announced. “We’ve worked so much, and we’ve worked so much for the campaign ... I feel very fulfilled and very happy for all the team.”

Camille said “represents something very important.”

“It’s a very free, provocative and empathic, compassionate movie. And I really think this is what we need now.”

“It’s totally incredible. I was like, ‘What?’ It’s three nominations. It’s huge,” added Ducol. “We were involved at the beginning of the construction of the story in music ... So everything is linked together, is woven together between the script, the screenplay, the songs. And so, we feel like it’s our story, our movie ... It’s not just a musical or reflecting a story or reflecting action in the movie. The music and the songs, in this movie, is the script. It is the story.”

In another music category, first-time Academy Award nominee Daniel Blumberg is He took home the trophy for original score for “The Brutalist” on Sunday.

Blumberg beat Ducol and Camille (“Emilia PĂ©rez”), Kris Bowers (“The Wild Robot”), Volker Bertelmann (“Conclave”) and John Powell and Stephen Schwartz (“Wicked”).

“I've been an artist for 20 years now,” Blumberg said in his acceptance speech. "And when I met (director) Brady (Corbet) I met my artistic soulmate.”

follows LĂĄzlĂł TĂłth, a fictional visionary Hungarian architect who escaped the Holocaust, sailed to the United States to find his American Dream and created the style of architecture the film takes its name from.

When the nominations were announced in January, Blumberg that he was actually with Corbet when he learned of his first-ever nod. “It’s been quite a surreal day,” he said. The pair shared a hug when the news arrived.

“‘The Brutalist’ was always such an important project for me,” Blumberg continued, describing the team behind it as dedicated to making “something with urgency, to make something with no compromise.”

__

For more coverage of this year’s Academy Awards, visit:

Maria Sherman, The Associated Press

$(function() { $(".nav-social-ft").append('
  • '); });