NEW YORK (AP) â Years before was using an ice skate to slice a neck in âFrom the World of John Wick: Ballerina,â she co-starred with in a much different film.
The erotic thriller âKnock Knock,â released in 2015, was de Armasâ first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically.
âIt was tough and I felt miserable at times and very lonely,â she says in an interview. âBut I wanted to prove myself. I remember being in meetings with producers and they would be like, âOK, Iâll see you in a year when you learn English.â Before I left the office, I would say, âIâll see you in two months.ââ
Since âKnock Knock,â her rise to stardom has been one of the last decade's most meteoric. She was radiant even as a hologram in âBlade Runner 2049.â She stole the show in Rian Johnsonâs star-studded She breezed through the Bond movie She was Oscar nominated for her Marilyn Monroe in â
And now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. in theaters Friday, de Armasâ progressive development as an unlikely action star reaches a butt-kicking crescendo, inheriting the mantle of one of the most esteemed, high-body-count franchises.
âItâs a big moment in my career, and I know that. I can see that,â she says. âIt makes me look back in many ways, just being with Keanu in another film in such a different place in my career. It definitely gives me perspective of the journey and everything since we met. Things have come far since then.â
Taking on the pressure of âJohn Wickâ
While de Armas, 37, isnât new to movie stardom, or the tabloid coverage that comes with it, many of her career highlights have been streaming releases. âThe Gray Manâ and âBlondeâ were Netflix. âGhostedâ was Apple TV+. But âBallerinaâ will rely on de Armas (and abiding âJohn Wickâ fandom) to put moviegoers in seats.
Heading in, analysts expected an opening weekend of around $35-40 million, which would be a solid result for a spinoff that required extensive reshoots. Reviews, particularly for de Armas playing a ballerina-assassin, have been good.
âThereâs a lot of pressure,â says director Len Wiseman. âItâs a lot to carry all on her shoulders. But sheâll be the first person to tell you: âPut it on. Let me carry the weight. Iâm totally game.ââ
De Armas, whose talents include the ability to be present and personable on even the most frenzied red carpets, has done the globe-trotting work to make âBallerinaâ a big deal: , gamely and cheerfully deflecting questions about her next film, âDeeper,â with .
Yet for someone so comfortable in the spotlight, one of the more interesting facts about de Armas is that she lives part time in that bastion of young A-listers: Vermont.
âYeah, it surprised many people,â she says, chuckling. âAs soon as I went up there, I knew that was going to be a place that would bring me happiness and sanity and peace. But I know for a Cuban who doesnât like cold very much, itâs very strange.â
âThis has been a surpriseâ
Winding up in northern New England is just as unexpected as landing an action movie like âBallerina.â She grew up with the conviction, from age 12, that she would be an actor. But she studied theater.
âI never thought I was going to do action,â de Armas says. âWhat was relatable for me was watching Cuban actors on TV and in movies. That was my reality. Thatâs all I knew, so the actors I looked up to were those.â
De Armas also had bad asthma, which makes some of the things she does in âBallerinaâ â a movie with a flamethrower duel â all the more remarkable to her.
âI couldnât do anything,â she remembers. âI couldnât run. I sometimes couldnât play with my friends. I had to just be home and be still so I wouldnât get an asthma attack. So I never thought of myself as someone athletic or able to run just a block. So this has been a surprise.â
At 14, she auditioned and got into Havanaâs National Theatre of Cuba. Four years later, with Spanish citizenship through her grandparents, she moved to Madrid to pursue acting. When she arrive in LA in 2014, she had to start all over again.
Now as one of the top Latina stars in Hollywood, she's watched as immigrant paths like hers have grow increasingly arduous if not impossible. The day after she spoke to The Associated Press, the Trump administration and heavy restrictions on citizens of other countries, including Cuba.
âI got here at a time when things were definitely easier in that sense,â says de Armas, who announced her then-imminent U.S. citizenship . âSo I just feel very lucky for that. But itâs difficult. Everything thatâs going on is very difficult and very sad and really challenging for many people. I definitely wish things were different.â
âShe doesnât just enjoy the view'
Chad Stahelski, director of the four âJohn Wickâ films and producer of âBallerina,â was about to start production on âJohn Wick: Chapter 4â when producer Basil Iwanyk and Nathan Kahane, president of Lionsgate, called to set up a Zoom about casting de Armas. He quickly watched every scene she had been in.
âHow many people would have played the Bond girl kind of goofy like that?â he says. âI know that I can harden people up. I know I can make them the assassin, but getting the charm and the love and the humor out of someone is trickier. But she had it.â
In âKnives Out,â Stahelski saw someone who could go from scared and uncertain to a look of âI'm going to stab you in the eye.â
âI like that in my action heroes,â he says. âI donât want to see the stoic, superhero vibe where everythingâs going to be OK.â
But it wasnât just her acting or her charisma that convinced Stahelski. It was her life story.
â'John Wick' is all hard work â and I donât mean just in the training. Youâve got to love it and put yourself out there,â says Stahelski. âWhen you get her story about how she came from the age of 12, got into acting, what she sacrificed, what she did, thatâs what got my attention. âOh, sheâs a perseverer. She doesnât just enjoy the view, she enjoys the climb.ââ
When that quote is read back to her, de Armas laughs, and agrees.
âBeing Cuban, and my upbringing and my family and everything Iâve done, Iâve never had a plan B,â she says. âIâve never had that thing of, âWell, if it doesnât work, my family can help.â Or, âI can do this other career.â This was it. And I also knew, besides being the thing I loved the most, this was my survival. This is how I live. This is how I feed myself and my family. So itâs also a sense of, I donât know, responsibility.â
That makes her reflect back to when she was just trying to make it in Hollywood, sounding out words, trying not to disappoint directors whose instructions she could barely understand, trying not to be intimidated by the action star across from her who had just finished shooting the first âJohn Wick.â
âI was so committed to do it,â she says. âI was so invested in the trying of it, just giving it a shot. When I give something a shot, I try my best, whatever that is. Then I can actually say: I gave it a shot.â
Jake Coyle, The Associated Press
